Thursday, November 11, 2010
Tuesday, October 19, 2010
tilt eisel
Lately i've been doing a lot of different darkroom techniques and I'v found one of hem to have potential for specifically architecture. even though i didn't use this technique for an architecture shot I still had fun with it. I incorporated a slant or a tilt to the base of my eisel using a cardboard jig i made. this limited my possible angles of incline to just one (45 degrees) but i figured for this project that would be okay. You can purchase the proper eisel online or probably at your local photo shop. Anyway I had to dodge the image a bit to achieve an even exposure as part of it was closer to the enlarger lens. It was a fairly simple process and i plan to experiment with other forms of this technique and I'm sure I'll get around to posting it sometime soon. I suppose I'm gonna have to leave you now with my attempt. shlater....
Sunday, October 17, 2010
regergitate
Somebody was showing me this guy the other day and i thought i should pass his name along. http://en.wikipedia.org/wiki/Jerry_Uelsmann
Wednesday, October 6, 2010
read more about it
as far as composition is concerned i have mainly based mine off of proportions allowed by the use of the rule of thirds. but recently i have been exploring a slightly more elaborate guide, the fibbonacci sequence. By definition, the first two Fibonacci numbers are 0 and 1, and each subsequent number is the sum of the previous two. Some sources omit the initial 0, instead beginning the sequence with two 1s so shit works out better. this sequence drawn out creates a perfect neverending spiral that past mathematicians dubbed as a harmonious image and when one uses the lines created by this spiral to compose a scene the resulting photograph also becomes harmonious. i know shit sounds complicated but the best example i can think of that you can see right now is make a fist and look at the side that has your thumb on it. the tip of your pointer finger starts a spiral that also ends with the tip of your thumb. persionally i have found this to be a good technique for seperating my fore, mid, and backgrounds. if it doesnt sink in sorry i didnt explain it better but there is a lot of info online about it so go check it out.
poor mans double exposure
double exposures are really simple with the right tools. i like to use a tripod, any camera with a bulb setting, any flash with a test button, any hand meter, and an assistant who pays attention. for this d.e. i set up my canon t70 on my pos tripod front and center of my dining room table. i metered the flash for my face from the two positions i would be sitting during the exposure. i tried to help my assistant match exact opposite positions of the flash from both sides of the camera. we practiced once or twice, then i set a refrence point in the middle of the table with my car keys. basically i wanted bilateral symmetry throught the image so as to make lighting a little easier. when i was ready i set out a change of tshirt and hat next to my scene flipped the lights off and got into position 1. my assistant pressed and held the shutter then flashed me once. i moved to position 2 while changing my shirt and hat. i ligned up with the refrence point and had my assistant flash me a second time from the other flashpoint we had previously determined. he then let go of the shutter and we flipped on the lights. here is the end result. ps i just realized how homoerotic my description of this process might sound so dont mind the terminology.
double printing
by now you can probably deduce that im not only on a photog kick but im specifically spendin most of my time in a wet lab. with that i've been tring to master a technique reffered to as double printing. this method (as far as i know) is most synonymous with a guy by the name of jerry ulesmann. his work has been feartured in many places one of which being the opening credits of the paranormal tv series The Outer Limits. im not so much amazed by ulsemann's final images so much as his mastery of the methodology involved (an assload of dodgn n burnin). ive used at least 30 sheets of rc paper on this one image with little success so im moving on for the time being until i can hoan my blending skills. at the top you can see my attempt cinsisting of my face in my dad's mouth. i suggest google imaging "jerry ulesmann" for some real heat. i promise you'll shit bricks. note: i also used my diy ringflash
some good readin
this is a book i derive most of my photog insperation from. the photographer's handbook by john hedgecoe is a little dated but has everything youll need to know about film photography. i seriously sometimes wake up with this book in my hands. regardless get your hands on a copy even if you use digital, many of the principles still apply in a big way.
chemogram/ nolangram
a while back i was in fred meyer reading photo technique mag and happened upon an article about a method of creating images in the darkroom without a camera wile at the same time avoiding the bland nature of most photograms. dont get me wrong ive seen some radd photograms but for the most part they're really uninteresting to me. anyway here's the phototech online tease of the nolangram technique http://www.phototechmag.com/index.php/past-issues/januaryfebruary-2010/nolan-preece/ . for the pdf download of that months phototech i gotchya covered....
http://www.docin.com/p-37964542.html
here's my attempt at the nolangram... and if ya wanna hit me on flickr http://www.flickr.com/photos/7255436@N02/
http://www.docin.com/p-37964542.html
here's my attempt at the nolangram... and if ya wanna hit me on flickr http://www.flickr.com/photos/7255436@N02/
diy dslr ringflash
http://www.youtube.com/watch?v=5b-Jozf7CAA
also look for part 2 of this video
so i made one of these and it twerks beautifully. i highly suggest erecting one. i use a mamiya 645 pro tl with it mostly but a also drilled a mount for canon bodies.
note: with the 80mm on the mamiya body there is some intrusion on the image made by the shade but nothing some cropping cant fix. plus the specular highlights are dope.
here some of the pix i took with it.
also look for part 2 of this video
so i made one of these and it twerks beautifully. i highly suggest erecting one. i use a mamiya 645 pro tl with it mostly but a also drilled a mount for canon bodies.
note: with the 80mm on the mamiya body there is some intrusion on the image made by the shade but nothing some cropping cant fix. plus the specular highlights are dope.
here some of the pix i took with it.
a fresh start
well heres to a new blog. i had a good run on www.idontgotnojob.blogspot.com but my time and understanding there is spent. anyway this spot is hopefully going to be a highly mispelled and often times socially incorrect medium for braudcast of my hobbies and interests. to give ya an idea of what is in store my current facinations have included everything from how to build a ringflash for slr cameras to everything " punkrock". well with that enjoi!
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